Press Quotes
“Ms. Driscoll is fascinating in that she makes such utterly original work. It doesn’t look like anything you’ve ever seen before, nor can you imagine thinking it up.”
—THE NEW YORK TIMES
“No to prettiness, no to glamour, no to glistening muscular limbs. Yes to intensity, yes to body heat, yes to wildness, freedom, and in-your-face defiance.”
—DANCE MAGAZINE
“An enthralling, epically adventurous work”
—THE NEW YORK TIMES
“Driscoll understands that at the heart of live theater are emotional distances (perspective, we might call it if this were a painting). She beams a light on theatrical self-fashioning, and lets you feel the scraps of being fluttering in the dark.”
—ARTS JOURNAL
“Faye Driscoll is a postmillenium, postmodern wild woman. A wild woman with a scrupulous sense of form that she tweaks into eye-opening weirdness. Ferocious, hilarious, and disturbing…”
—VILLAGE VOICE
"If you want to see a living work of art – and if you are interested in avant-garde, crazy ideas in the most positive sense or creativity from the artistic centers of the USA in 2022: Nothing like it!"
—BREMEN ZWEI
“Driscoll is one of the few contemporary artists who effectively place artistic disciplines in conversation—drawing on theater, dance, and installation art without using any of them to critique the others.”
—WALKER ART | FOURTH WALL
“Clearly, Faye Driscoll is an artist like no other.”
—Olivier Frégaville-Gratian d'Amore, l'oeil d'olivie
Reviews, Interviews & More
C Magazine, Angel Callander (review, Weathering, February, 2024)
Claire Bishop, “Top 10 of 2023” (best-of article featuring Weathering, 2023)
l’eoil d’olivier, “Thank you for coming: SPACE, le phénomène Faye Driscoll” — OlivierFrégaville-Gratian d'Amore (review, Thank You For Coming: Space, 2023)
sceneweb, “Faye Driscoll ou l’empathie radicale” — Belinda Mathieu (review, Thank You For Coming: Space, 2023)
Bakchormeeboy, “Review: Come On In by Faye Driscoll (Esplanade’s da:ns focus 2023)”
the hangover report, “Faye Driscoll’s captivating WEATHERING is an astonishing display of sustained tension and precariousness” — Adrian Dimanlig (review, Weathering, April, 2023)
Durations of Soft Detail: A Companionate Reader for Weathering with contributions from Dages Juvelier Keates, Jesse Zaritt, and Faye Driscoll (2023)
Brooklyn Rail, “We Are In Catastrophe” — Candace Thompson (review, Weathering, April 2023)
The New York Times, “On Faye Driscoll’s Life Raft, Spinning Toward the Unknown” — Siobhan Burke (review, Weathering, April 2023)
Deutschlandfunk Kultur, “Unimaginable art: American choreographer Faye Driscoll in Bremen” (German radio review, CALVING 2022)
Bremen Zwei, “Choreographer Faye Driscoll on her work at Theater Bremen” (interview with Faye, Bremen, DE, 2022)
Walker Art | Fourth Wall, “The Stakes of Contact: Faye Driscoll’s Thank You For Coming: Space & Come On In” by Miriam Felton-Dansky
Movement Research Journal, “Cassie Peterson on Faye Driscoll's Thank You For Coming: Space” (February 2020)
The New Yorker, An illustration of Faye Driscoll by Tatjana Prenzel (January 2020)
Boston Globe, “The final work in Faye Driscoll’s dance trilogy contemplates life’s end” (November 2019)
Artforum, “Negative Space” (April 2019)
Dance Magazine, “Choreography in Focus with Faye Driscoll” (January 2017)
Times Union, “‘Thank You for Coming: Attendance’ at Jacob’s Pillow” (June 2017)
The New York Times, “Faye Driscoll’s Tingling Force Field With the Dance Audience” (November 2016)
Walker Arts Center, “Walker Stage: Faye Driscoll in Conversation with Philip Bither” (June 2016)
Institute of Contemporary Art / Boston, “What We Build is a Kind of Canopy” (October 2015)
Vox Feminae, Zagreb (December 2015)
Diario Uno, Mendoza (October 2015)
Noticias UNSAM, Buenos Aires (October 2015)
The Institute of Contemporary Art, Boston (October 2015)
Culturebot, “Jesse Zaritt on Faye Driscoll’s You’re Me” (January 2013)
Dance Magazine, “Word Play” (April 2013)
BOMB, “Faye Driscoll’s You’re Me: An Invitation. A Demand. A Descent” (April 2012)
TimeOut Chicago, “Interview | Faye Driscoll” (August 2011)
Movement Research Journal, “Faye Driscoll in conversation with Devynn Emory” (October 2010)
Artforum, “ Faye Driscoll talks about There is so much mad in me” (April 2010)
Feministing, “Faye Driscoll: Wow, Mom, Wow” (April 2007)
Art on Air, “837 Venice Boulevard” (November 2008)
GLU Magazine, “Fresh Faces: New York”